It’s always a good day in the studio!
Day 31 #stradaeasel
This is the final day of the Strada Easel Challenge and I'm feeling both relieved (because I succeeded painting each day) as well as sad that it's over (because it helped keep me engaged with my painting).
Now the real challenge begins to keep it going. I'm getting my 'see legs' again and it is wonderful.
I plan to follow up with this little sketch and add color.
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| Porcelain Tea Strainer Sketch 5.25 x 6.5 oil on canvas sheet ©2023 |
Day 29 #stradaeasel
Decided to revisit the Tetsukyusu Tea Pot. It's so beautiful in person that I'm determined to figure out the best way to paint it and do it justice. Starting with a drawing and an oil value sketch is always my way of exploring and getting familiar with a subject that seems difficult to translate into paint. I also like studying the values.
Note to self: I must start earlier in the day to begin working on a painting.
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| Tetsukyusu - Oil Sketch 5.25 x 7.5 Oil on canvas sheet ©2023 |
Day 28 #stradaeasel
Another flower grouping. I'm feeling less stressed about the results in my studies. There's definitely more work that could be done to call it finished, but the freshness is appealing. It may not show in the photo, but I'm getting better at seeing the values (I think).
I must also learn how to photograph paintings to reduce the glare. I like texture, but the little flecks are distracting to the actual brushwork.
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| Clay Pot with Dark Pink Daisies - Study 9 x 8 oil on canvas sheet ©2023 |
Day 27 #stradaeasel
Not feeling well today with headache and several problems to solve outside of painting today. I did manage to get something out, but I think it was more ambitious than it should have been under the circumstances. I had trouble harmonizing the colors I wanted to use, but I carried on so I could meet the challenge requirements. Only four days are left until the challenge is complete.
Something else I've been experimenting with is how I start a painting. It could be a charcoal sketch, it could be an oil sketch, or I might tone the entire canvas and wipe out areas or maybe I start with a spot of color and move over the canvas with other spots of color that are easy to recognize - this last one doesn't work well for me because I cannot judge the value, color, or temperature next to the value, color, or temperature of the next brush mark.
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| Tall Brass and Blossoms Unfinished 6 x 9 Oil on oil primed linen sheet ©2023 |
Day 26 #stradaeasel
Well I went for color today and almost scrapped the entire thing. Still might so I can do a better job. I've learned something new each day of the challenge and plan to select at least 6-8 of the paintings and start fresh when I don't have to have something posted everyday. Anyway this is the countdown week!
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| Teacup Color Study - NFS Oil on canvas sheet. ©2023 |
Day 24 #stradaeasel
Another study with a metal container. I got further than I thought I would - The hydrangeas are dried and really old, but haven't been ready to toss them just yet. I'm still enjoying the strada easel challenge and so glad I joined.
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| Hydrangeas and Copper Study - $NFS Oil on canvas sheet ©2023 |
Day 23 #stradaeasel
Well I moved on to something different, and it was a good day mostly. This is done with both brush and palette knife. The values could use more work, but the shapes in this are easy to do with the palette knife.
I started out thinking the bras would be the subject, but got curious about some artificial poppies I've had for awhile and they pretty much asked to stay. Anyway, glad I did this one and still experimenting with tools. I think this is a great way to learn painting. Having the information is one thing; making it work is the bigger challenge.
One other thing - today I found myself begin to get tired while work on this and felt like I was going to loose the freshness if I didn't stop immediately. For some reason, this is the first time I was aware of that.
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| Brass and Poppies Quick Study - NFS 5 x 8 Oil on canvas sheet ©2023 |
