30/30 Challenge - Solitary Onion - Day 20

We (meaning all the participants in the challenge) are two-thirds of the way complete!!
I must say, I am feeling several emotions ranging from panic to relief that we are on the home stretch... just 10 more days to create/paint something and get it posted. I've learned more than a few things about myself and the painting process.

So for today, it's a solitary onion that sprouted after sitting in the studio for weeks! Nothing about the materials changed except I used Senso clear acrylic primed canvas.

Day 20

Didn't make much fuss - just wanted to paint what I saw paying particular attention to reflected light. I plan to work with this idea in the future and consider the direct light, the reflected light, as well as the ambient light. There really is a difference and especially noticeable when working with 'whitish' objects. I will be more deliberate about setting things up next time I work on this idea.

The background in this photo shows more color intensity than the actual painting. I'm thinking my camera may need some adjusting, as well as figuring out a fool-proof way to get rid of the darn glare.

Since, I'm tired and hungry right now, I'm calling it a wrap!!

30/30 Challenge - Solitary Rose - Days 17-18-19

I decided to tackle something a little sweeter smelling after the experience from the last few days!

What better than a Rose? Roses are one of the most beautiful flowers (my other favorite is the peony), but I find them challenging because of all the intricate details. They have a lot of color shapes and values within the overall shape which can make them seem too complicated to tackle. I found however, that if you can describe the main perimeter shape and the main basic interior shape, they are much easier to handle... and remember it isn't necessary to paint each and every little detail unless that is your painting style.

Day 17 

If you read my blog from Day 16, you will perhaps understand why I chose this paint subject and why it is only started. Nevertheless, I am still painting each day, and that's a very good thing.

Materials are acrylic primed linen sheet and my usual bristle brushes and color palette. The rose is and off-white silk type, and while it has a softer look that a real freshly picked bloom, it won't wilt on me while I'm getting my time schedule back on track. It is sitting in the little purple box with glass for reflections.

Wishing myself more time tomorrow to complete!

Day 18

I was working on this while the Seahawks game was on, so that blew the 'more time' idea. If you didn't see it, it was quite an amazing game with the adrenaline in overdrive; the Seahawks won the game in overtime after being behind for a good portion of the game! They are going to the Super Bowl!! I think in all the excitement, I got a little heavy handed. The paint is thicker in places it should be thinner and I was confusing the values. Maybe work with fewer values in the painting even if I see more in the set up. Some of the color also seems too intense. I'm not yet satisfied with the reflection either.

With this many areas in question, it might be a good idea, to scrape down and adjust. The lesson here, again, is to simplify.


Day 19

Day three on one small painting is my methodical brain going full tilt! After posterizing the first painting image in photoshop to simplify the image with fewer values and see what/where would work. This process isn't completely fool proof, but it is another way of evaluating what you've done.

Using the converted image with other judgments (the result of course is still judgment/opinion).

I didn't scrape everything before I started making changes, alas, I started to notice a few other things that I could do!

So this is the end result and time to move on... you may not be able to see the subtle changes, but one TIP to share is that the angle of the flower can make a difference on the complexity of what your painting. I'll be exploring this idea further in the very near future, and may do a black and white study in painting first using only 5 values to see how it translates from that... it may sound funny to some of you, but I'm really having fun training my eye to values - sooooo important in painting!

Thanks for reading...

30/30 Challenge-One of Those 'DogGone' Days-Day 16

I hope you'll for give the following entry, but I had some stinkin' issues to work out!

Day 16 

Izzy ©2015

I'm sure you've had one of those mornings when the unexpected throws off the entire day's plan... and believe me, I have had a couple of strange days causing a lot of  interruption to my painting time...

My sweet dog Izzy, got into the cat's food. I use one of those automatic feeders because the cat is an all-day nibbler. To continue, Izzy has a real problem with food and controlling herself when it comes to anything edible. She usually isn't alone near the cat food long enough to get away with this, and I'm not quite sure how much cat food she actually consumed, but it left its mark.

As you might imagine, it took awhile to clean things up, but she is much better now and things are getting back to normal. I will warn you though, cat food isn't just richer than dog food, it is down right TOXIC to some dogs so be watchful if you have a mixed household.

This painting isn't finished as you see, but it did help me work out my upset with Izzy... does she look remorseful enough to be forgiven?

 

30/30 Challenge - Painting Systems - Day 11-14

All beginning painters want to know how to begin, how to proceed, how to paint an eye, and how to know when a painting is finished... of course we all learn there is no one right answer.

However, this gave me an idea - I've never tried doing a step by step painting using a 'system' that would give successful results, but thought I'd give it a shot because of limited time, and just curious. I'm still in my experimental stage with the 30/30 Challenge, so let's see what using preplanned decisions on the steps towards doing a painting in a way that could be considered as 'following a system.' This will be done in layers and with limited time for each step of 1 - 1-1/2 hours.

BTW, the subject of this painting belongs to some dear friends of mine who have a 35 acre property close by my home, and it is one of my favorite places to hang out when I need some 'farm time'. This image is a composite of 3 resource images taken at their property, and taken on a sunny day.

Day 11 - Step One: Initial Drawing Composition 

The drawing stage is how I was initially trained to begin a painting. It is not how I always start a painting, because often using masses first is better and freer way to work. However, let's go with drawing in the composition first.

The Barn is taken from one photo, the outbuildings from another, and the field with the road a third. Using a mid-toned linen, only a round synthetic brush, and TransOxideRed, and Ultramarine blue paints. That what I used to start this painting.

In my head I thought that each element that I selected might give a sense of space and also a good lead in to the painting. The materials would be attainable for most anyone's budget.

Day 12 - Step Two: Paint in the Big Flat Shapes of Local Color

This is straight forward because most anyone can identify the local color of an object, but gets a little tricky when trying to see the shadow areas.

I used one flat bristle brush and my current palette of colors mentioned in yesterday's post.

The paint layers are thinner in some areas that still show the canvas, and other areas that have a heavier cover. This was mostly done subconsciously, but the lighter value areas often mixed color with opaque white usually covers more.


Day 13 - Step Three: Paint with Heavier Layers and Adjust the Values

Something I haven't done before is to try painting with only a palette knife, so I decided this layer would be done that way. I also used a rubber wipeout tool. NO brushes today.

It wasn't easy to keep to this plan, but I did, and think there are some good results. Nevertheless, it was worth trying because I learned more about handling a palette knife and have a better sense of when it might be best to use one. A palette knife remember gives a more sculptural feel to the paint in general (unless you are scraping off), and sometimes it is really effective. Yummmy, thick oil paint can be sooo beautiful when done well.

The biggest and most frustrating challenge with using only a palette knife was trying to handle the details! Looking forward to the freedom tomorrow to use any tool I want  to correct some drawing errors, and going for the finish!!

Day 14 - Step Four: Finish and move on...

Tools today included anything even my fingers, and had the urge to scrap things away when I first approached the easel. Decided to follow through with the idea of using a 'system of sorts' and simply  resolved that this is all I will do with this effort other than revisit the results as a reminder of the experience.

Was a bit short on time for the finish, and found I wanted to start again using a horizontal format and not limit my approach as in this exercise. Most importantly after doing this exercise, the final lesson is that whether you begin with drawing, laying in masses, wiping out, etc., each painting image requires a little different approach rather than following a 'painting system'. That is an approach I can live with!

Once again, I hope this little exercise, including my humble 'opinion', will be helpful and save you some time as you move forward with your painting.

30/30 Challenge - A Change Coming On - Day 10

WOW! This 30/30 Challenge is 1/3 complete!
Have to say it has been a great experience so far, and am mostly able to get this accomplished because of fewer unwanted distractions in my life. Yay!!!

Day 10

This little painting includes some changes on my palette.

After doing some preliminary mixing to test some combinations, I removed the Prussian blue, and will be using Manganese blue instead and will allow for some substitutions.
(The substitutions are so I can use up some of the tubes in my collection of paints.)

© 2015 - Manganese

My palette now has Cad Yellow Light (interchange with lemon yellow), Indian Yellow, Cad Scarlet (interchange with Pyrol Red or cad red light), Quinacridone Magenta (interchange with Alizarin Crimson or Permanent Rose), Ultramarine blue (as usual), and the Manganese blue (interchange with Cerulean blue or possibly Sevres blue). I will also include Yellow Ochre and Transparent Red Oxide and White (will be trying variations of this too). There may be occasion that I'll use a touch of Ivory Black because when mixed with yellows it makes some interesting greens.

To review these first ten days...

Setting a time limit for working on a study... this is good sometimes, and not so good

at other times. If I want to measure to see where I am with my sight skills, it's a good thing. However, if I want to learn something while exploring the possibilities of technique, then 'no thanks'; that's when I want to stand at that easel for as long as it takes for me to get my 'aha moment'.

© 2015 Grayscale

Values are starting to recording more easily when looking at color. Still do not get it the first time everytime, but with practice it does get easier.

© 2015 - Desaturate

Tip: Try using 'de-saturate' when converting to check for values, also use 'grayscale' to check for values - see which is more faithful to the information of the various steps. If you like, you can also use 'posterize' to flatten the value shapes and see if it relates to the way you first put down your basic value shapes before the details.

© 2015 - Posterized

Materials always seem to be changing to fit the desired end result. With this in mind, and after using a variety of canvas types, brush types, and colors, I am learning my preferences, and as a result, more of the preliminary thinking is taking care of itself. This is a plus and HUGE time saver.

Working Without Judgement is so liberating. No pressure, no feeling like I have to perform in a particular way... I can explore the what ifs, and claim the discoveries as my own, even if someone else has already figured it out. I must encourage you to take at least a few hours each week to do something similar. There will be no failure; only a lesson learned!

And finally the Changes I decide to make on my palette or choice of brushes and ground for painting are based on a real understanding of what the heck I'm doing and why. This is a priceless place to be...  I so appreciate my past instructors for giving me the boost to get started (a future blog topic), and yet to make a choice for this process selecting what materials, and exploring the technique is the most honest way for me to work!

A huge thanks to the readers with me on this 30/30 challenge. This first 10 days, I hope have been helpful to you in some way too.

30/30 Challenge - Ideas w/o Judgment Days 7-9

These small studies are using prussian blue as the blue on my palette. It is soooooo strong, but thought it would be worth it to have first hand experience using it.

I like transparent colors alot and Prussian blue is very much transparent. Also used Indian Yellow, and a mix of cad scarlet and permanent alizarin crimson for the three colors on my palette along with white.

I learned that while each of these is a beautiful color, the mixes are more difficult to control with the tinting strength being so different for each. Nevertheless, it was worth the exercise.

Also tried a few 'scratchy' things and props that I have not used in the past, and still limited the time worked on each painting as before - one to one and one half hours.

Day 7

Another apple day. This was done inside a dark purple box with light peeking in. I wanted to keep the colors strong and just went for it. Because the light was so cool, I decided to add TROxide for the darker shadow areas.

Used a piece of glass on the bottom for reflections which gave a bluish color to the area. Love doing reflections. This reflection is stronger than it maybe should be, but like the blue contrast with the reds and yellow in the apple. Also used the end of my paintbrush to scratch lines into the paint. No particular reason except to just act on the ideas that are spontaneously surfacing in this process.

I'd like to comment a bit further on this because it has been liberating. I haven't really tried to do a masterpiece on any of these small paintings, the only requirement is that I paint everyday and brainstorm ideas without any judgment. It's similar to how writers might get started. If you journal, this same process helps get all the crazy stuff out, and sometimes it allows some really good stuff to surface!! Really a fun and interesting way to work... try it!

Day 8

A pear day. Today's exercise was to use less saturated color everywhere except the main subject. Again with the reflection, and recording a simple impression of the pear.

Still just going with any thoughts and ideas that surfaced to see how much my subconscious was engaged. Same color palette and purple box, but as I mentioned was going for less saturated color.

Also tried another brand of round brush which seemed about the same as the other one, except it was more 'bendy' with longer hairs. And my usual bristle...


Day 9

Same apple (you can tell by the yellow spot), but with a plastic green bag used when it was purchased, and still setup in the same small purple box.

Worked on value, more than trying to match color for the surroundings. That plastic bag was no easy task with all the little facets. It would take considerably more time to get it more defined. Remember, I was not trying to get each little facet rendered, only the illusion, and only in about an hour's time. BTW, this poor apple is no longer edible! ;o(

Finally, what I can say about Prussian blue is it is beautiful and challenging to use, but worth the effort.

30/30 Challenge - Values - Days 1 thru 3

I decided to join this challenge (30/30 Day Challenge) to re-inforce my determination to paint more in 2015... my posts won't be daily, to ensure I do not spend too much time posting more than necessary; and it might make for more interesting reading.

I will likely be posting unfinished paintings along with some that may get to the finished stage. My main goal is to paint or draw each day, but also will use this as a study tool and working on various elements in art. Will also be exploring materials.

These first were each given a short time with the idea of translating them later into B/W images to check my values. As you may already know, seeing correct values in colored paint is one of the biggest obstacles a painter faces. This is one exercise that I'll be repeating in various subjects to see if it makes a difference on how I see the values.

I know the reader will be at a disadvantage not able to see things in person, and there is some undesirable glare from the lighting - but here we go... and hopefully it will give you some ideas to work on too.

Subject: Values/Apples - keeping things basic to start.

Day 1
Using lighter a background to see if I can still pull off the value relationships. I do see the relationships and think maybe the values could be pushed a bit more... The light I used on the setup wasn't very strong light so this is about right and true to what was there. The halo around the shadow was actually there...

 

I think these apples have more detail than I needed to show.

 

Day 2

Once again with the apples... about the same today. I remember that nothing in shadow should be as light as the area(s) in the light. Since I used a light background, it will be a bit more difficult to follow this rule.

Less detail, and notice the yellowish spot doesn't show separately
from the red shadow area.

Day 3
Third try on the apples with the same setup including the lower lighting. Hmmm... except for the highlights, the background is still picking up more light than the rule would suggest.  Now, I really do wonder about that rule... will try apples again later in the month with a stronger lamp to see if it makes a difference. My thoughts are that this rule applies with each object, and not necessarily all object collectively in the entire painting.

NEXT comes playing around... ever wonder what to do with all those studies that will never be sold and likely tossed in the garbage in the very near future? How about wallpaper or quilting pattern ideas!  ;o)

© 2015