Day 21
Once again with reflected light. The light source is again at the top, like high noon. I'm trying to keep most things consistent to see if I notice the color nuances more easily with fewer variables except for the main object.
Day 22
Decided to paint this record breaking lemon again with another light angle so I didn't get the halo effect on the table top-and a few minor changes in the setup. Lemon turned, changed the color of the table top, and added some greenery.
Still working on reflected lighting which is a huge challenge for me, but lots of fun trying. Also limited the time to complete so I don't think so much about the decisions.
Tip: This may seem obvious to you, but it wasn't readily apparent to me. The metaphor that comes to mind here is I 'couldn't see the forest for the trees.' Even when I squint, I've found that I'm noticing too much information when I begin a painting so I've decided to work with a setup from a greater distance so I don't see so much detail. If I need to see some more specific detail, I'll just walk up closer to see it. I think this will certainly help me see larger shapes first...
Both are great but I personally like the second one best...why? Most likely the green gives it more power. But, then I am an impressionist who loves color.
ReplyDeleteYes, I also prefer the additional spot of color in the leaves.
DeleteThanks for that interesting observation - I will try it
ReplyDeleteMarty, btw... I also remember to squint whether the setup is near or far.
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